Saturday, April 4, 2009

The Kaleidoscopic Eye in the Mori Art Museum


The Mori Art Museum will present The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection from Saturday, April 4, to Sunday, July 5, 2009. The exhibition is realized as a collaboration between Mori Art Museum and Thyssen-Bornemisza Art Contemporary.

The Kaleidoscopic Eye investigates the question of how to define “what’s real”, which has preoccupied philosophy, science, religion and the arts for the longest time. Reality, in everyday usage, means "the state of things as they actually exist”, whether or not it is observable or comprehensible. On a more subjective level, investigations into reality activate private experiences, curiosity, inquiry and interpretation, but also reflections on void, nothingness and emptiness on the part of the inquiring subject.
Light, color, sound, language, concept and communication: Contemporary art is much more than just a visual medium. For this exhibition, the Mori Art Museum joins with Thyssen-Bornemisza Art Contemporary (T-B A21), a Vienna-based foundation, drawing on their renowned collection to present a selection of art, including dynamic installation, that stimulates the senses in myriad ways.
The artists represented in the exhibition have a unique and original take on human perception and consciousness. Enveloped in their worlds, viewers are made to feel that their very facilities of perception are being questioned, and that everything they have taken for granted is suddenly thrown into doubt. How do we decide what is real? What is this world we inhabit? Contemporary art presents a kaleidoscope of answers to these most fundamental of questions.

DURATION: April 4 - July 5, 2009
LOCATION: Mori Art Museum, Tokyo, Japan


Thyssen-Bornemisza Art Contemporary founded in 2002 by Francesca von Habsburg, daughter of the Baron Hans Heinrich Thyssen-Bornemisza (the founder of the Museo Thyssen-Bornemisza in Madrid), is committed to supporting the production of contemporary art, actively commissioning and collecting unconventional projects that defy traditional disciplinary boundaries. The more than 450 pieces in its collection include paintings, photographs, installations, and video works. Support is given to the production of art in a variety of formats, including projects that are architectural, site-specific, or performative, keeping the collection firmly in touch with the ever-diversifying languages of contemporary art.

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